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The Trouble With Teletubbies:
The Commercialization of PBS
By Susan Linn,
EdD and Alvin F. Poussaint, MD
The American Prospect, May/June 1999
"If Public Television doesn't do it,
who will?" —PBS motto
Public television's pithy tag line is
meant to have positive
connotations—innovating, filling a
void, performing a vital public
service. But the slogan took on ironic
overtones last year when it appeared
on advertisements heralding the
arrival of Teletubbies, the first
television program ever broadcast in
the United States for a target
audience of children as young as 12
months.
Teletubbies features a huggable band
of four alien toddlers who have
televisions in their tummies. Their
heads are topped by antennae
conveniently sized to fit in a baby's
grasp—kind of like plush rattles. As
the Teletubbies babble in a language
sounding a lot like toddler talk, they
frolic in a lush, fairy tale–like
landscape. Under the watch ful eyes of
a blue-eyed, giggling baby ensconced
in a glowing sun, they interact with
things of great interest to young
children—a butterfly, a giant ball, or
a toaster. One of the program's main
characters is a vacuum cleaner. The
Teletubbies' TV-tummies show films of
real toddlers and caring adults
playing games or fixing bicycles.
The combination of space twaddle,
endless repetition, and toddler antics
gives the show a kind of fey,
otherworldly aura, but it's a mistake
to dismiss Teletubbies as a weird,
frivolous bit of entertainment. The
program is extremely popular among
both children and parents.
PBS imported Teletubbies from the BBC
last year and is aggressively
marketing the program as educational
for "children as young as one."
Teletubbies took a slot in the PBS
Ready to Learn service, a block of
programming created to help preschool
children acquire skills that will
enable them to get ready for school.
The Ready to Learn service works with
day care providers to enhance the
educational value of its programs.
Providers are encouraged to show PBS
programs to the children in their
charge and engage in constructive
post-viewing activities related to
each program.
Created by a speech pathologist and a
former schoolteacher turned television
producer, Teletubbies is supposed to,
among other things, help preverbal
children develop language and become
comfortable with technology. Publicity
materials for the program claim that
it stimulates toddlers' imaginations
and facilitates their motor
development.
Teletubbies recently achieved brief
notoriety when the Reverend Jerry
Falwell insisted that Tinky Winky, the
purple Tubby with a triangle-shaped
antenna who frequently carries a
purse, is damaging children's morals
by modeling a gay life style. Unfort
unately, Falwell's preposterous,
homophobic attack fuels the wrong
controversy.
What's worrisome about Teletubbies is
that, to date, there is no evidence to
support its producers' claims that the
program is educational for
one-year-olds. There is no research
showing that the program helps babies
learn to talk. There's none to suggest
that it facilitates motor development
in 12-month-olds. There is no data to
substantiate the claim that young
children need to learn to become
comfortable with technology. In fact,
there is no documented evidence that
Teletubbies has any educational value
at all. When asked about research,
people associated with Teletubbies
respond that studies show how much
children and parents like the program.
That may be so. The fact that children
like something, or parents think they
do, does not mean that it is
educational, or even good for them.
Children like candy, too. Given the
lack of research, why would PBS import
a television program for one-year-olds
that has no proven educational value?
PBS Under Siege
In 1995, when PBS survived the
near-fatal attack on its funding by
congressional Re pub li cans, fans of
educational, noncommercial television
heaved a sigh of relief. PBS
officials, facing immediate cutbacks
in federal funds and looking at the
likelihood of even less government
funding in the future, decided to seek
other sources of revenue. Four years
later, PBS, a consortium of local
public television stations, seems to
be flourishing. But at what cost? The
effects of diminished and
ever-threatened government funding are
taking their toll on PBS as a
noncommercial broadcasting service,
and are affecting its educational
mission as well.
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